Volunteer Makers Gets the Abbey Habit!

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Although many of Volunteer Makers’ users are traditional city museums, some are not – the apps blending of micro-volunteering with social benefits for supporters has applications in a variety of organisations.

A busy early June for the VM team was capped by the launch of a Volunteer Makers portal by a spectacular heritage destination, Glastonbury Abbey.

Launching, appropriately, in national Volunteers’ Week, the new portal aims to grow, diversify and engage volunteers with work at the 1,300-year-old Abbey – a site linked with Arthurian legend as well as Medieval monasticism and Henry VIII’s brutal Dissolution of The Monasteries.

Across the country from Somerset, another portal launched for a heritage group in Milton Keynes.

The VM model has proved to be very successful for heritage and arts organisations working as a consortia, and early indications are that the pattern could be repeated for HeritageMK.

HeritageMK includes sites showcasing the Roman and Saxon history of the area, as well as the home of Georgian poet William Cowper. It was there that Cowper’s friend John Newton wrote Amazing Grace.

The consortium also features the world-famous Bletchley Park, the stately home that became the centre for crucial Allied codebreaking in WWII.

Earlier in June, VM launched further South, with a portal at Southampton Heritage and Arts. 

This group includes not only one of the port’s oldest surviving structures, the Tudor House, but SeasCity Museum where Southampton’s maritime history is explored, including a fascinating Titanic exhibition.

The city’s highly regarded Art Gallery is another organisation that will benefit from VM’s two-way model of volunteer engagement.

Volunteer Makers has proved a hit with organisations in Essex, and Chelmsford Museum became the latest to launch a VM portal.

The museum operates on three sites in the bustling county town, telling the archaeological, military and industrial history of the region and much more.

Elsewhere, one of VM’s smallest pioneering operations, the Holst Birthplace Museum in Cheltenham, has been recognised for its forward-thinking approach to volunteering.

The museum houses a fascinating archive on the composer Gustav Holst, who despite his Germanic name was a Gloucestershire lad.

Its active and innovative approach to supporters, now supported by its established Volunteer Makers portal, won it the Queen’s Award for Voluntary Service.

As the Summer presses on, more and more organisations are finding through Volunteer Makers added value from engaging Volunteers in a 21st century way!

Volunteer Makers rises to university’s challenge

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Oxford and Cambridge have long been associated with students – but it was Volunteer Makers’ message that was being studied there in a busy month for Volunteer Makers and the Tickbox team.

May began with a training day for staff at University of Cambridge Museums.  The organisation runs eight separate highly regarded museums as well as a world-famous botanical garden.

The collections receive many millions of visitors, but the forward-thinking organisation has recently begun planning how Volunteer Makers can help them strategically engage their volunteers and supporters, creating a tangible value exchange and impact.

This aims to increase the reach of the museums; diversify the community visiting and working with them; support volunteer recruitment; and cut unnecessary paperwork, whilst beginning to collect anonymised data in a sensitive manner.  This data includes analysis of volunteers’ skill sets.

Volunteer Makers’ Claire Sully headed to Cambridge’s twin university town Oxford for her next assignment.

Innovative gallery Modern Art Oxford tried Volunteer Makers and liked what it could do to help them manage and grow their community of supporters and helpers.

Claire guided staff through the next phase, training them to use the app and make best use of it. The gallery will enjoy 6 months of free usage and is looking forward to an ongoing relationship with Volunteer Makers.

David Juler_Claire Sully at M and H ShowDavid Juler, of the Museum of Oxford, explained how his organisation had been working with Volunteer Makers, and as a Volunteer Makers pioneer, they help shape the platform’s development. It’s a collaborative effort, with Tickbox actively seeking users’ feedback.

Some very positive feedback came from one Volunteer Maker user this month.

Snapping the Stiletto – a collaborative project run by multiple museums in Essex have recruited more than 100 volunteers since launch in March.

The project, which aims to smash the cliched “Essex Girl” view of women in the county, has been active users of Volunteer Makers. Manager Pippa Smith has been delighted with how the micro-volunteering it has encouraged, adds up to give real momentum to the project.SnappingtheStiletto

“It’s really interesting to see how the minutes add up. Our Just a Minute challenges have been popular and people who have signed up to share information on social media have spent around 16 hours on this- it may not feel like you are doing much at the time but every tweet or Facebook share really adds up!” she said.

Another breakthrough was achieved by the Volunteer Makers team with the production of a case studies booklet, which was launched at the Museums & Heritage Show.

Find out how others have used Volunteers Makers to aid and target volunteer recruitment and make that precious budget go further. Get in touch if you want a copy, or want to discuss training options.

Here are some more photos from this month’s activities:

Falmouth Art Gallery with Volunteer Makers recognised in Cornish award for its innovation

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Love Falmouth VolunteersVolunteer Makers is becoming used to getting great feedback from partner organisations and users, but it is always pleasing to be recognised by external judges.

We are therefore very proud to announce that Love Falmouth Volunteers has been recognised for its use of the Volunteer Makers platform by Falmouth Art Gallery and partner organisations.  Love Falmouth Volunteers was Highly Commended in the Innovation category of the Cornwall Heritage Awards.

The Gallery also won awards for Audience Initiative and Cornish Heritage.

The awards were presented by South West Museum Development in collaboration with Cornwall Museums Partnership. They come with a cash prize, courtesy of the Heritage Lottery Fund.

Henrietta Boex, Director of Falmouth Cultural Services, commented: “There are so many wonderful projects happening in Cornwall’s museums and it is encouraging to see all of these achievements being recognised and celebrated.”

Volunteer Makers model and tech enables the Gallery and other cultural bodies involved to grow, manage and inspire a volunteer and supporter community by blending volunteering with public participation through effective digital engagement.  The small team behind Love Famouth Volunteers is led by Tamsin Bough, who commented:

“We were really keen to implement the Volunteer Makers initiative after an enthusiastic workshop with Claire. We had recently started a new collaboration across our different cultural services venues and wanted to change the way we engaged with our visitors and potential volunteers. Lovefalmouth volunteers evolved from an already successful #lovefalmouth campaign.

We ‘soft’ launched our platform last year and within a few months have reached over 80 new sign ups. We have been pleased with the positive response and look forward to developing our digital engagement offer over the coming months.”

Volunteer Makers’ Claire Sully said: “Falmouth Art Gallery ‘got’ the concept straight away, and it is great to see how enthusiastic they have been in using Volunteer Makers – work that has now been recognised with this award.”

Claire Sully training Snapping the Stiletto staff

Volunteer Makers start the year with stilettos, armour and dreaming spires

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If 2017 was a busy year for Claire Sully and the Tickbox team as Volunteer Makers caught imaginations up and down the country, so 2018 has continued to build on that momentum.

Claire led Volunteer Makers workshops at the Royal Armories Leeds and with  Snapping the Stiletto, an Essex County Council inter-museum project.

These popular workshops explore how organisations can tap into the micro-volunteering revolution and how they can use the Volunteer Makers platform to achieve this for free for 6 months, followed after by low monthly fees.

Royal Armories is the home of the national arms and armour collection and is a must for militaria buffs as well as all those with an interest in our nation’s history.

Opened in 1996, the Leeds museum complements other Royal Armories’ sites at the Tower of London, and Fort Nelson, near Fareham.

From the weapons of yore to destroying the stereotypes of “Essex Girls”, the next assignment could not have been more different!

Snapping The Stiletto is a project that helps rebuff the “white mini-dress and high heels” cliché attached to Essex, by bringing the county’s museums together to uncover the real stories of strong and pioneering women.

Bringing these hidden stories to the public involved many volunteers, and this is where Volunteer Makers came in.

Museum Project Officer Pippa Smith said: “The training was really useful in bringing together the partners and giving us the time and space to reflect on where we all are with volunteering in our various organisations and how we can move forward.

“For me personally it showed me how the platform can work really well to provide a framework for what is quite a complicated project with a lot of partners.”

Another January highlight was when the Museum of Oxford launched its Volunteer Makers’ platform.

Its volunteer challenge scheme is designed to gamify working with the museum and encourages volunteers to fulfil a number of different roles and engage more closely with the institution’s work.

Cllr Dee Sinclair, who is on the board that runs the museum, summed up the Volunteer Makers’ ethos succinctly: “This is the perfect opportunity to expand volunteering to those who may not be able to regularly be involved. Volunteering can be flexible and can easily fit around your life.“

For more information on Volunteer Makers workshops with free use of the Volunteer Makers technology, get in touch.

Speaker at Museums Association

Guest blog by Fran Riando – Unlocking the Geffrye

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The Geffrye explores the home and the way people live. Our collections show how homes have been used and furnished over the past 400 years, reflecting changes in society and behaviour as well as style, fashion and taste.

The Geffrye is a much-loved gem in the lively and creative Hoxton area of London – historically a centre for furniture-making and market gardening. Set in 18th-century almshouses and surrounded by gardens, it is often described as an oasis in the heart of the city.

People volunteer across the museum leading tours of the restored almshouse, helping maintain the gardens, supporting family learning activities, community sessions and events, collection and documentation activities, helping our development team with research, supporting the communication team supporting the volunteer programme itself.

Volunteering has been steadily growing over the past 5 years, with the number of contributed volunteer hours rising from 2110 in 2013/14 to 3069 in 2016/17. Our volunteers suggested that we should embrace digital technology to help with communication and certain volunteer management functions like rotas.

When researching I came across Volunteer Makers. Instantly struck by the idea of having lots of different ways for people to get involved, including micro volunteering and how technology could support this and help to build the community, I got in touch. Volunteer Makers would really help us to think differently about volunteering, especially moving into a period when the Museum will be closed as part of a transformational redevelopment project, Unlocking the Geffrye.

We have now planned for Volunteer Makers, started to implement the plan and are in a period of consultation with the current team which will be followed by a public launch.

This project has helped us learn a lot so far, here are some of the top things that have helped us get to this point:

1. We have developed our Volunteer Maker’s strategy as part of our wider strategy for volunteering at the museum. During meetings we developed a set of values for the programme, which helped to focus discussions and decision making throughout.
2. We have tried to work collaboratively across the organisation; in practical terms this has meant having a clear idea of time scale and key outcomes at different stages has been really vital. This has helped to make sure that people have the information they need to contribute to decisions, reflect and feedback at each stage, whilst planning time to act on feedback where possible. We used a simple table to help keep track of this which allowed us to adjust the plan as needed. (You can get a copy of the template we created for planning from Volunteer Makers).
3. Getting the whole organisation involved at all levels has been really important. Planning multiple opportunities for people to get involved and think about what aspects of Volunteer Makers might appeal to the motivations of different teams. Do not get disheartened if people don’t immediately get involved, if you have opportunities throughout the project people can get involved more easily when things become less abstract. I have planned to share Volunteer Makers with the whole team including those who haven’t been involved in a staff meeting. I plan to get everyone attending to contribute ideas for challenges in their area of work.
4. It has been beneficial having the communication team and current volunteer team involved. Spending the time to get the communication team is worth it, ensure they know what opportunities they have to feed in, and when decisions will be final, this means they know what meeting they have to be at! This team caught on to the micro volunteering aspects of Volunteer Makers quickly, so having meetings where you mix teams to think about ideas has worked well. Volunteers are the people that you want to be able to use and embrace the site, so working with them is important. One of our volunteers, Maja, attended a meeting about branding, during which she came up with the name and tag line for the site after members of staff had talked about it for quite a while. Volunteers are able to bring fresh perspective which has been really beneficial.

Fran Riando, Audience Development Coordinator: Volunteers & Communities

Speaker at Museums Association

Guest blog by Hannah Mather – Volunteer Makers: A Digital Revolution

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My Name is Hannah Mather and I’m an emerging museum professional. I recently graduated with my MA in Museum Studies and have been working part time at Jarrow Hall as their Supervisor of Culture and Heritage. I’m also Chair of the North East Emerging Museum Professionals Group, a voluntary group which I founded back in April to encourage peer support for early career professionals like myself.

Managing volunteers can be difficult. People volunteer for different reasons, understanding what motivates your volunteer and working with them can be key to ensuring value exchange. It’s important to manage the expectations of both the organisation and the volunteer from the very start. As an early career professional, I love volunteering. I see many opportunities for self-development by working with more experienced professionals to develop and gain skills. It’s disheartening when you’re left feeling like a ‘spare part’ in a generic role.

The traditional volunteer application process is becoming outdated. It can be off putting when often we find that forms are not very accessible and do not allow people to cover a broad range of interests and skills. People are often asked to explain what they can bring to a role which is so generic that in fact, they don’t even know themselves what they are volunteering for.

It’s time to ditch our traditional approach to volunteering and embrace a model which can enable expectations to be managed affectively. We increasingly find that more people are wanting to volunteer, they just do not have as much time. This can be a deterrent, we’re unwilling to commit time when we are unsure on how much time we’re able to give.

Digital thinking is a good solution, one which embraces accessibility. In an age where most us have access to the internet museums have the potential to harness these tools and use them to outreach, inviting people to access their collections off site. Organisations like Tyne & Wear Museums, have been embracing this by thinking of ways in which they can blur the lines between community participation and volunteering. Using the Volunteer Makers digital software, they have made their collections more accessible and have been able to encourage people to share their favourite objects from the online collections database across their social media channels.

This digital platform has led to a rise in micro volunteering as people choose to partake in smaller tasks which take less time to complete but can be done much more frequently, creating the ‘long tail effect.’ Many smaller tasks have the potential to drive much larger projects through this. A great example of the micro volunteer challenge is “Take a photo of something you’ve enjoyed on your visit, then share it on social media.” It’s something which a lot of people already like to do, myself included. By sharing a photograph on social media, you’re sharing it with your friends and followers who can, in turn share the post with their friends and followers. The outreach on this can be huge and great for marketing.

There is also the potential, with this digital model to open a wider variation of volunteer opportunities. The tech can help to make these opportunities much more targeted, deciding what opportunities the person would be a good fit for based on the data they input when signing up, data which can be changed at any point. I first came across the model when volunteering for Tyne & Wear Museums. I had previously applied for several volunteering opportunities, and handed in countless forms, each as long and tedious as the other so when TWAM adopted the volunteer makers model it was a relief to know how straight forward the application was and I enjoyed the gamification of the site which allowed me to get started straight away and choose what appealed to me. It was a fun and creative way to volunteer. It wasn’t until sometime after this that I realised that this wasn’t just something TWAM were doing and that in fact there was a platform behind this was something which museums across the country were starting to see the benefit of.

My recent involvement with Volunteer Makers has been a very positive experience, I was invited to be part of the advisory board and my EMP group now have our very own platform which we hope to use to grow and manage our network by sharing opportunities and developing relationships with our regional museums. The Volunteer Makers platform I hope will allow NEEMPG to do what it has already aimed to do in a much more accessible way. Being involved in this project has also given me incredible opportunities, including being able to talk at the Museums Association Conference, giving the volunteer’s perspective on Volunteer Makers.

Speaker at Museums Association

Guest blog by Jessica Hartshorn – Doing it Together

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Volunteering plays a significant role in maintaining the heritage sector’s resilience and a week on, I am reflecting on the 2017 Museums Association Conference in relation to this matter.  After 15 years working in galleries and museums, 11 of which have been at Rugby Art Gallery and Museum, volunteers have always played a part in supporting our services.  However, it is clear that the way in which we work with these wonderful people, who bring skills, experience and enthusiasm needs to change in response to the changing world in which we live.

I was invited as a Volunteer-Maker pioneer to speak at the Conference about how we can manage this change successfully and gain ‘buy in’.  How do we ‘ Do it Together’?  This was as a result of feedback which I gave to Claire (Claire Sully – Volunteer Makers’ Programme Director) after our initial workshop with her introducing Volunteer-Makers. I said:

Everyone was buzzing and excited after the session, and I can honestly say I have never had such heartfelt positive feedback about a change of system before!

It’s true, I was so surprised at the feedback from our staff, everyone was very excited and keen to move forward.  We had organisational buy in.  But how?  My first thought was ‘Well it just kinda happened.’  But after thinking about it, it wasn’t that simple.

Rugby Art Gallery and Museum is currently still in the early stages of working with Volunteer Makers and its programme, as one of the pioneers, and I am also part of the advisory panel. After having an initial workshop with Claire in the summer, we have now put together the content of our platform, trained staff and consulted with our current volunteers. We have had a soft launch of the site while we are testing it and will be promoting it further over the Christmas period.

But how did we get to this point?  Why did we need to change and how did we encourage others in our team to come on our Volunteer Makers journey with us?

Like many cultural venues, we had been through many changes over recent years and to strengthen our position, in 2015, we were successful in receiving an Arts Council grant to work on our resilience.  The grant enabled us to take part in a programme of training focusing on working together as a team.  During this process, it was apparent we needed to see and accept changes in order to move forward.  This was our first stage for helping with ‘Buy in’.  We were ready for change.

But what was our volunteer status?   Before 2015, we had 2 volunteers, no strategy or policy or way of recruiting volunteers.  In 2015, as part of the Rugby World Cup, being the home of the game, we ran an official purpose-built Fanzone venue and ran a schools’ programme and events.  As a result the Visitor Centre manager started to put together a policy and recruited and trained around 50 volunteers.  After this we managed to keep many of these volunteers to support the gallery and museum and trained them to work particularly with the education programme.  This transformed what we did and we saw a huge value in these fantastic people, who brought new ideas and skills to the team.  However, two years down the line, our programme has expanded and we require more volunteers.  But we had not updated the policy and we hadn’t looked at how we were going to continue to recruit.  Our volunteers were mostly white and over 50 and we wanted to attract a broader demographic from our community.

Volunteer Makers seems to be an answer to our needs.  A new way of attracting younger audiences and offering micro-volunteering (small pockets of time which can be on or off site) was an exciting way forward.  It would also give us an opportunity to review our policies and engage more staff in supporting volunteering as they could set smaller more manageable challenges.

So, returning to making a change in your organisation.   My initial thought was, well why wouldn’t you have buy in? This sounds fantastic and offers an answer to the problems we had.  But as you know in this sector there are always barriers.  What are the challenges?  This led to a tool which I had recently come across in a training session.  I think it explains what is needed to encourage change, therefore helping people to buy in:

OPM (Object Process Methodology) – Change model shows what is needed for successful change and the effect when one is missing.

Pressure for change – if there is no pressure it goes to the bottom of the tray.  Capacity for change – lacking in resources and staff time leads to anxiety and frustration.  Clear shared vision – with this enthusiasm starts to fizzle out.  Actionable first step – without a clear plan it can lead to haphazard efforts and false starts.  At Rugby, we have used this model as a method to move the Volunteer Makers programme forward.

Pressure for change – Why was it important?  We needed to recruit new volunteers, particularly younger people.  We needed to diversify our demographic of volunteers and we wanted to support engagement and develop ideas.  To do this we needed a new way of working and we needed it ASAP.

Clear shared vision – I think Volunteer Makers presentation really sold itself to the team, it demonstrated a clear vision.  The team could see the opportunities and during the workshop, Claire helped us to think about our aims for volunteers and where we wanted to be in the future.  It helped us to have a shared vision.

But also key for buy in was to invite all members of the team as everyone plays a part.  To encourage those who are resistant by speaking their language and appealing to how they will personally benefit.

The other important preparation was to pre-empt questions from the team and resolve these with Claire before the meeting where possible.  This meant questions and challenges brought up in the meeting could be resolved there and then, meaning staff left the meeting with a clear vision without too many holes.

Capacity for change – Time and staff, is for many organisations the biggest barrier.  As my manager could see so much potential in this project we agreed that I would dedicate time to this project.  We needed to make time for this project but also the whole team believed in Volunteer Makers enough to put a small portion of time aside.  We are also looking at having a volunteer to support and help us move the programme forward.

Actionable first Step – Claire helped us to set an action plan during the workshop with a vision and aims.  This so, far has enabled the project to move forward.  Regular group meetings looking at our progress and working with the team and our current volunteers to overcome any challenges.  Our officers are setting challenges, front of house staff are selling Volunteer makers, volunteers are currently testing it.  Everyone plays a part.

I very much valued my opportunity to share our experiences and also to listen to other pioneers at the conference.  It was really interesting to hear different and similar perspectives regarding volunteers and support each other.  After all, we are a caring, sharing sector, ‘Doing It Together’.

Volunteer Makers strengthens the future of volunteering in Museums – by Clare Lyall, Museum expansion Director at Trowbridge Museum

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On the 10th November,Trowbridge Museum staff attended an excellent Volunteer Makers workshop run by Claire Sully, discovering how they could utilize a pioneering app to enable us to develop an effective strategic approach to volunteering.

The software provides you with a digital platform which you then build upon to create a volunteer community which encompasses different types of volunteering. These can vary from supporting your marketing by tweeting about your events, to assisting with Learning and Outreach activities, to cleaning your collections.

The possibilities are quite literally endless. This excellent system enables you to engage with far more of the wider community and offers that community a far broader range of volunteering opportunities with greater flexibility. It also enables museums to measure the huge value of volunteers in terms of economic impact, sustainability and diversity.

In a period when the number of those who are volunteering is actually going down and many people increasingly regard themselves as time poor, the Volunteer Makers app can only strengthen the museum sector’s position.

Guest Blog by Caroline Morris – The return effect on me

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I first saw the Corinium Volunteer Makers site when I was casually looking for volunteering opportunities in local museums. Most sites were singularly unhelpful in this search but the access to the Corinium Museum’s Volunteer Maker site was very easy. Once I started at the museum, I was bowled over by the welcome I received and their appreciation of the skills I could bring.

I was asked to document the contents of the loans and resource boxes and later update their database. I have carefully photographed replica and ‘real’ objects associated with, amongst others, the Bronze Age, Anglo Saxons, Romans, and my particular favourite box, a Tailor’s Shop. Although clearly many of these objects are replicas, I still found the experience of handling museum objects exciting. I have spent a number of years studying museums and now I was getting to experience the real deal.

This photography task has its challenges, even lighting for one. These simple images were to be used as documentation but they also needed to be used to illustrate the written material contained in the boxes. I therefore needed to make sure the images truly reflected the originals as much as possible, only occasionally assisted by Photoshop. Some of them also need cutting out and inserting into documents. I have enjoyed the challenge.

I have photographed other less conventional objects. A local knit and natter group made a series of woolly monks to help celebrate the 900th anniversary of Cirencester Abbey. These were to be placed around the museum as a trail for children to follow. I was asked to create the trail sheet and images for advertising it. I took my twelve little woolly chums around the museum and found appropriate places to ‘shoot’ them in. I also did a little research to find out their proper names within a monastic community. The resulting trail turned out to be the most successful children’s trail to date.

In addition, I have been able to combine my part time job with Waterstones with the museum volunteering. With my events management hat on, I initiated a collaboration with the museum to bring authors to do workshops and give talks – I am particularly excited about the talk by Andrew Taylor taking place in April 2018.

Clearly the museum are getting something out of my weekly visits but I was unprepared for the return effect it would have on me. I had spent a number of years in research where I have not used my photographic skills or visual creativity (despite my background as an artist), and although this role may not sound like it, actually it woke up that dormant part of my brain. Since I started I have been able to create work again and I have all sorts of ideas flowing around my mind again. Some of which are directly inspired by my experience – I have begun to think about how I could create some work responding to the museum’s collection, or to the forthcoming changes to some of the galleries in the museum. I would also like to get into the museum stores at some point and get my hands on ‘real’ artefacts. This has definitely been a mutually beneficial relationship which I  want to continue.

Caroline Morris, Volunteer Maker, Corinium Museum @CoriniumMuseum 

TWAM homepage

Guest blog by Hannah Rose Mather – How much time do you have?

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Tyne & Wear Archives & Museums is a regional museum, art gallery and archives service which manages 9 museums and galleries across Tyneside and the Archives for Tyne and Wear.  They have recently launched a new, creative, way to make volunteering with them much simpler and I love it!  By clicking this link you can now register online to be a volunteer.

Once registered you can browse their listed volunteer roles or challenges and choose to accept those which appeal to you. The sign up is simple and you can get started straight away.

The outreach for this is genius, it means that you can choose how much time you want to give and this can be anything from as little as a minute, an hour or a day as well as signing up to do regular volunteer work. One of the most recent challenges I accepted was taking a photo of something I enjoyed on my visit to one of their museums, I then simply had to share it on social media. I completed this challenge after finding that I enjoyed quite a few things from my visit to the Discovery Museum and shared it on Twitter.

This was a great visit and I wouldn’t expect anything less. However, the beauty of this new approach to volunteering means that you don’t even need physical access to a site in order to do some of these challenges. We live in a digital age and museums certainly know it, TWAM have created a great way to explore their collections from home.

You can “Dive” into their collections via their collections dive. This allows you to find things you probably didn’t even know existed and when you find something you like, you can share it with your friends on social media!

Volunteering can make a real difference not only to the organization which you are supporting but it can also have a positive impact on your own life. I know from my own experience how rewarding it can be to give a little. It’s a great way to fill those gaps in your work experience and gain skills. It will also make you stand out to employers as it looks great on a CV.

The Arts and Culture sector are always welcoming volunteers with a diverse skill range to work towards their own missions and vision.